I’ve always being fascinated by people, (especially young people), who
are able to write a manuscript; have the chance –
with also a bit of fortune – to be picked up by publishers
and obtain success at their first novel. I’ve always wondered how they do it—how
they go about creating an interesting and captivating story with consistent
characters and dialogue. In other words, realizing a verisimilar story that
keeps the readers glued to the book, page after page.
Well, the time for admiration turned into a time for experimentation when
I had to put myself to action. The challenge is hard, the difficulties huge. From
the choice of the plot to the creation of characters and beyond, in a language
that is not mine, I’ve met with all obstacles that a novice writer often falls
into. For instance, the tendency to tell
too much instead of showing. ‘Show, don’t tell’ is one of the most important
rules every teacher will tell and repeat to their students, yet when writing it
is not simple to apply. Telling and showing get opposite results: boring the
reader with too many descriptions in the first case and, in the second case, involving
the reader and letting them to forget about the author, let them see what is
happening. Actions make the difference between one and the other effect. Complications
need to emerge; in the construction of dialogue, you need to pay particular attention
to the use of attributes. It is easy to lose control of them. The writer has to
remember to make it clear who is talking, without weighing down the writing
with with a lot of ‘he said/she saids’.
These are only few of the pitfalls I have faced; the list could go on
and on, and still that question bounces in my head: how do writers do it?
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